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Harmonia Rosales

The Artist

Since the beginning of her art career, Harmonia Rosales’s main artistic concern has been focused on black female empowerment in Western culture. Her paintings depict and honor the African diaspora. The artist is entirely open to the ebb and flow of contemporary society in which she seeks to reimagine new forms of aesthetic beauty, snuggled somewhere between pure love and ideological counter-hegemony.

The black female bodies in her paintings are in memory of her ancestors, expressed in a way to heal and promote self-love. In addition, the approach that nourish Rosales' art are closely linked to her multi-cultural Afro-Cuban background.

Her subjects embody something within us all. They serve as conduits to an inner struggle within our society, which the artist depicts using metaphorical crowns and deities. The art is and will always be to encourage sympathy, empathy and empowerment.

(Click ``Read more`` to go to next section``)

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Artist Bio
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Quantum Afro Futures

The African Origins of Humanity

“Only a loyal, determined struggle to destroy cultural aggression and bring out the truth, whatever it may be, is revolutionary and consonant with real progress; it is the only approach which opens on to the universal.”
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“Only a loyal, determined struggle to destroy cultural aggression and bring out the truth, whatever it may be, is revolutionary and consonant with real progress; it is the only approach which opens on to the universal.”

Cheikh Anta Diop, The African Origin of Civilization, 1974
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The African Origins of Humanity

The Creation of God

Afro-Cuban, Chicago-based painter, Harmonia Rosales repaints classic European art assets in order to return our global imaginaries to an understanding of The Creator as a Black woman
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“When all we see in art history is a male-dominated white heaven, we become the inferior to this gender and cultural imperialism. Replacing the white male figures — the most represented— with people I believe have been the least represented can begin to recondition our minds to accept new concepts of human value.”

Harmonia Rosales, Dazed, 2018
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The African Origins of Humanity

The Birth of Eve

Artist Harmonia Rosales rethinks the origins of humanity by introducing us to a possible version of Eve's own mother, possibly God as a Black woman. From Idalis Love: ``Rosales helps to reframe the image of Black women by elevating them beyond the position of those who seek to oppress them. Rosales’ work gives black women the space to heal and allow for a surplus of self-love in the aspects of themselves that they have been taught to hate.``
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The African Origins of Humanity

The Birth of Oshun

Rosales re-imagines Sandro Botticelli’s 'Birth of Venus' as the 'Birth of Oshun', the benevolent and venerated Yoruba goddess of fertility, sensuality, and prosperity.
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The African Origins of Humanity

Assumption of a Woman

In this and many of her pieces, H. Rosales is giving Black women, Black people, historical examples of their radiance, beauty, intellect, and power.
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The African Origins of Humanity

“When you consider that all human life came out of Africa, the Garden of Eden and all, then it only makes sense to paint God as a black woman, sparking life in her own image. By creating positive works of art using black women, the complete opposite from which we were used to seeing, we can begin to deconstruct our power structure.”

Artist Harmonia Rosales
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The African Origins of Humanity

Black Madonna - Poland church

Before there were depictions of Mary and Jesus as Caucasians, depictions of Black Madonna and the holy child were ubiquitous across European churches. This image was photographed in a church in Czestochowa, Poland
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The African Origins of Humanity

The Resurrection-Monastery in Mount Athos, Greece

The Resurrection. Third quarter of the 16th century. The Holy Monastery of Pantokrator, Mount Athos, Greece
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The African Origins of Humanity

Deisis - Christ in Majesty

Source unconfirmed, but likely Russian monastery or church mural art from the Byzantine era in the style of much Byzantine art depicted in the volume ``Russian Icons`` by Vladimir Ivanov
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The African Origins of Humanity

“When we say that the Ancestors of the Blacks were the first to invent mathematics, astronomy, the calendar, sciences in general, arts, religion, agriculture, social organization, medicine, writing, technique, architecture; that they were the first to erect buildings out of 6 million tons of stone (the Great Pyramid) as architects and engineers; that they built the immense temple of Karnak; that they sculpted the first colossal statues—we are merely expressing the plain unvarnished truth that no one today can refute by arguments worthy of name.”

Cheikh Anta Diop, The African Origin of Civilization, 1974
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The African Origins of Humanity

Paintings inside of Ancient Kushite tombs (modern day Sudan)

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The African Origins of Humanity

Imhotep, first recorded Architect & Physician

According to Robert Buaval’s The Orion Mystery, Imhotep is believed to be the first Architect and Physician known by name in written history. According to Ancient Egyptian tradition, he was the son of Ptah, the Founding God of Egypt, and descended from the Anunnaki. The complex Mathematical, Engineering and Astronomical knowledge Imhotep applied to the construction of the Giza Pyramid Complex is attributed to his Anunnaki heritage.
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The African Origins of Humanity

Lesser known Ancient African Scripts

Gods & Elders channel reviews Ancient African writing systems including Nsibidi, Adinkra, Vai and others.
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The African Origins of Humanity

We hope you enjoyed this section of the Portal! Please click the link below to continue to the next section.

You can also click on ``Artist Bio`` to the right in order to learn more about Harmonia Rosales, the Artist featured most heavily in this section.
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